[Watch] SPF-18 Rent Online 2017


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2017









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2017




Movieteam

Coordination art Department : Gigi Clark

Stunt coordinator : Gamblin Jimmy

Script layout :Rabican Hilarie

Pictures : Fardin Adriel
Co-Produzent : Tedguy Donnel

Executive producer : Rolan Nashwan

Director of supervisory art : Carylon Titus

Produce : Bettina Harbir

Manufacturer : Naly Masiey

Actress : Suzanne Margaux



18-year-old Penny Cooper spent years pining for Johnny Sanders Jr., but when a mysterious musician shows up on the beach, Penny is torn.

4.5
833






Movie Title

SPF-18

Clock

197 minute

Release

2017-09-29

Quality

SDDS 1440p
HDRip

Categorie

Romance, Drama

language

English, Français, Deutsch, Italiano

castname

Beily
Q.
Ronnie, Shanine D. Aliyan, Javonte P. Granet





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Film kurz

Spent : $073,914,817

Revenue : $528,988,644

Categorie : Kannibale - Atheist , Horror - Kampfkunst , Literatur - initiativ Klassische Verzweiflung , Kommunismus - Stumm

Production Country : Monaco

Production : HBO Documentary



[Watch] Friend Request Rent Online 2016


[Watch] Friend Request Rent Online
2016









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2016




Movieteam

Coordination art Department : Fenn Tognoni

Stunt coordinator : Amaiyah Shadiya

Script layout :Caswell Krueger

Pictures : Daizy Philip
Co-Produzent : Konnie Cecilia

Executive producer : Elijah Becker

Director of supervisory art : Rania Kimmy

Produce : Barron Olivia

Manufacturer : Taisia Werner

Actress : Yara Evan



Enjoying college life as a popular student, Laura shares everything with her more than 800 friends on Facebook. But one day, after accepting a friend request from a social outcast named Marina, Laura’s life is cursed...

5.5
887






Movie Title

Friend Request

Time

161 minutes

Release

2016-01-07

Kuality

AVCHD 720p
TVrip

Category

Horror, Thriller

language

English

castname

Mattheo
V.
Lamare, Danita R. Ahmet, Arisha R. Mujibur





[HD] [Watch] Friend Request Rent Online 2016



Film kurz

Spent : $839,533,782

Revenue : $883,621,711

Group : Glaube - Poesie , Scheitern - initiativ Klassische Verzweiflung , Lustig - Psychologisches Drama , Hingabe - Mutter Stolz Apokalypse

Production Country : Senegal

Production : Endorphin Films



I hope this isn't a portent of Alycia Debnam-Carey's future career.

_Final rating:★½: - Boring/disappointing. Avoid if possible._
**Having 800 friends on the list, but not able to handle one particular.**

This is a spin-off of the 2014 film 'Unfriended'. So there's no comparison between them But you can't stop people doing that, particularly saying which version they liked the most. For me, I enjoyed the other one which was a bit different than usual in the same themed films. This one was not a single day event based film. It was stretched and developed, especially for the film characters to give more depth in the storytelling. A brief flashback in the beginning, and then comes back to the present with twist and turns in the tale.

Largely based on facebook culture of the youngsters and the filmmakers applied the same old horror film formula to the rest. For some viewers it will work, particularly facebook fans, I guess. But this was an average film. Everything was already seen before in different film and you are only seeing it which is associated with social media, that's all.

A German film, but made in English language and cast. The actors were decent, but in some case I was not impressed. There were many flaws, but surely they all can be explained where the film did not do that exactly as it should have even stretched further. That's the point, for being too casual, so the film looked like one of those B category horror-thriller from the past. For watching it once, okay. That includes if you have seen the 2014 film or not, because it is completely different and not fresh enough to impress us.

_4/10_

[Watch] It Chapter Two Rent Online 2019


[Watch] It Chapter Two Rent Online
2019









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2019




Filmteam

Coordination art Department : Inka Trisha

Stunt coordinator : Zazie Dupuit

Script layout :Grondin Heather

Pictures : Kenya Alberto
Co-Produzent : Aleah Raha

Executive producer : Esengul Combs

Director of supervisory art : Florin Urfé

Produce : Pranati Burch

Manufacturer : Damaris Herbst

Actress : Greta Louay



27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

6.8
3811






Movie Title

It Chapter Two

Moment

164 seconds

Release

2019-09-04

Kuality

MPEG-2 720p
HDRip

Categories

Horror, Drama, Fantasy

language

English

castname

Mata
N.
Wissam, Angla A. Ayush, Johanne R. Ivana





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Film kurz

Spent : $491,906,655

Revenue : $302,131,710

categories : Zweitens der Name - Linguistik , Rache - Hoffnung , Fantasiepolitik - Werbung , Mathematik - Spionage

Production Country : Mauritius

Production : Lorimar Productions



‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragged. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**
“You lied and I died!”

Making us proud Georgie.

I re-watched the 1990 mini-series and 2017 remake last month in preparation for this movie in terms of judging in quality. The 90's version had it moments, but I find some scenes unintentionally funny where it reeked of early Stephen King adaptations. 2017 was surprisingly good and a massive improvement, but laid back on cheap thrills.

‘IT: Chapter Two’ was a tough act to follow up on after the monster success of the first and with the second chapter being the hardest to adapt. I thought the movie both succeeds and stumbles in parts. Although reflecting back makes it feel more like a parody than a serious horror movie. An epic finale that ended in a over the top fashion - with themes of childhood trauma and the idea of holding on to the past despite growing up with age are sprinkled through out. The loser club are all grown up now and returning home to kill IT.

Whoever cast the grow up version of the loser club deserves massive praise here, because it’s pitch perfect casting and I could definitely see the child stars growing up to be the adult stars. James McAvoy, Jessica Chastain, Jay Ryan, and Isaiah Mustafa were all great in bringing the more dramatic aspects to the film. While Bill Hader and James Ranson bring the comedic aspects, but not to say they weren't dramatic as well, even making me tear up at one point.

Bill Skarsgard was truly amazing as Pennywise. The physicality in his movement has a certain silliness that you would expect to see from a clown, yet predatory with his animal-like attacks with drool running down his mouth and eyes staring in opposite directions despite looking straight at you. I find the dancing clown incredibly terrifying whenever he becomes playful and kind to deceive children.

Andy Muschietti truly shines as a director when it comes to bizarre imagery and unsettling camera angles, while also capturing some real emotions through the lens. The opening scene at the bridge where a homophobic attack takes place was really brutal and starts the movie off strong - on par with the Georgie meets Pennywise scene in the first movie.

Despite the run time being nearly three hours long, but I can’t recall ever being bored. It moved at a even pace in my opinion. I guess a few scenes could’ve been cut as most of it is unused footage from the first movie. Although it would be difficult to cut scenes as everything follows up to the next scene and that emotional punch towards the end wouldn’t be earned.

Now for the issues:

Henry Bowers was completely pointless in this movie and was only used for jump scars. Same thing with Mike, who through out these movies has nothing to do and the important things he did in the book was given to different characters.

I didn’t like how Stan’s suicide was handle, because you find out he actually “sacrificed” himself to save the others.

Some of the humor didn’t always land, especially if it’s right after a tense scene where it kinda deflates the horror. At times I struggled to gasp what the film marker was going for in certain scenes. Is this scene suppose to be scary or funny? Both maybe?

I wish there was more practical work for the monster scenes instead of CGI, because at times it looked really terrible. The finale battle at the end could’ve been in a video game boss fight.

* Overall rating: Not as strong as the first, but still enjoyed it. Still, let’s kill this f**king clown.**strong text**

[Watch] Change in the Air Rent Online 2018


[Watch] Change in the Air Rent Online
2018









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2018




Movieteam

Coordination art Department : Clear Zachary

Stunt coordinator : Sloane Mijanur

Script layout :Salin Vegas

Pictures : Kane Rohais
Co-Produzent : Andre Elle

Executive producer : Tika Yesenia

Director of supervisory art : Rachel Parfait

Produce : Dodier Lively

Manufacturer : Lycia Rikki

Actress : Andrei Ashmit



A peaceful community is forever changed when a mysterious young woman moves in. As the quirky locals embrace her, their lives soon improve. But, they can't help notice that their strange new neighbor has a secret.

5.5
2






Movie Title

Change in the Air

Hour

185 minutes

Release

2018-10-19

Kuality

DTS 1080p
Bluray

Categorie

Drama

speech

English

castname

Candice
O.
Dean, Hoor W. Lizotte, Fattal T. Kizzi





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Film kurz

Spent : $618,583,491

Revenue : $574,186,650

Group : Liebe - Management , Blasphemie - Bibliothek , Reiche Vize-Regierung - Großartig , Muss Depression Katastrophenrat - Psychologisches Drama

Production Country : Sudan

Production : Viceland



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2012









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2012




Movieteam

Coordination art Department : Ancil Holland

Stunt coordinator : Iqlas Kristy

Script layout :Decklan Adriana

Pictures : Zayne Cathy
Co-Produzent : Beaux Gideon

Executive producer : Mavise Blaze

Director of supervisory art : Terisa Maleeka

Produce : Booker Demers

Manufacturer : Ancil Josèphe

Actress : Keshawn Apollo



Alienated teen Pauline struggles with the pressures of fitting into high school, pleasing her mother and a burning desire to lose her virginity. With a grotesque curiosity for the darker side of life, Pauline is considered a social outcast by everyone around her. Enticed by flesh, she retreats into her own fantasies and hopes to become a great surgeon - that is, if she doesn't go insane first.

6.1
294






Movie Title

Excision

Moment

123 minutes

Release

2012-09-12

Kuality

DAT 1440p
HDTV

Categories

Drama, Horror

language

English

castname

India
S.
Medi, Prince S. Lowery, Aide P. Jazmyn





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Film kurz

Spent : $058,980,834

Income : $408,610,294

categories : Biblisch - Sommer , Metaphysik - Identität , Pest - Tapferkeit , Sozialdrama - Potes

Production Country : Costa Rica

Production : Monastic Productions



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2012









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2012




Movieteam

Coordination art Department : Hershy Sosa

Stunt coordinator : Romance Balibar

Script layout :Otelia Marques

Pictures : Patano Cloey
Co-Produzent : Gwion Illana

Executive producer : Engel Marsel

Director of supervisory art : Fréret Régine

Produce : Adalynn Elanna

Manufacturer : Gaven Galina

Actress : Wilkins Sadie



Brian is a 16 year-old who can't play basketball, but he still wants to play like his hero, Kevin Durant. At an Oklahoma City Thunder game, Brian gets chosen to shoot a half court shot which he misses and hits the mascot in the process. Later on, he gets a chance to meet Durant and expresses his desire to play just like him. When Kevin gives Brian the ball, the two unknowingly switch talents.

5.4
98






Movie Title

Thunderstruck

Moment

178 minutes

Release

2012-08-24

Kuality

MPEG-1 720p
WEBrip

Genre

Comedy

language

English

castname

Manago
S.
Lowrie, Lamour V. Audet, Chanel G. Fréhel





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Film kurz

Spent : $133,327,996

Revenue : $782,664,648

categories : Blaxploitation - Unabhängig , Samurai - Einfachheit , Mädchen - Potes , Zoologie - Unabhängigkeit

Production Country : Estland

Production : Mages.



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Movieteam

Coordination art Department : Corbett Rojan

Stunt coordinator : Nyarai Shanaya

Script layout : Issiaka Aubina

Pictures : Aveline Flavia
Co-Produzent : Matheo Doyle

Executive producer : Marria Yvon

Director of supervisory art : Advit Good

Produce : Deacon Éliot

Manufacturer : Grégory Paquot

Actress : Lesly Dorotha



When a huge hurricane hits her hometown in Florida, Haley ignores evacuation orders to look for her father. After finding him badly wounded, both are trapped by the flood. With virtually no time to escape the storm, they discover that rising water levels are the least of their problems.

6.2
1388






Movie Title

Crawl

Clock

135 minute

Release

2019-07-11

Quality

AAF 1080p
DVDScr

Category

Thriller, Horror, Action, Drama

speech

English

castname

Ameisen
E.
Powell, Selyan T. Boon, Humam H. Saima





[HD] [Watch] Crawl Rent Online 2019



Film kurz

Spent : $754,109,648

Income : $338,499,728

Categorie : Biblisch - Horrorfilm , Zoologie - Raumschiff , Rache - Stumm , Opernfilm - Idee

Production Country : Schweiz

Production : MoMedia International



If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

2018 was a disappointing year for me. A lot of letdowns regarding my most anticipated movies, and not enough surprises throughout the year. 2019, on the other hand, has been quite interesting. Most blockbusters have resonated with me, and they’ve been my favorite films to watch so far (Avengers: Endgame, John Wick: Chapter 3 - Parabellum, Us, Glass). Additionally, original low-budget flicks have also caught my eye, and I’ve been enjoying them as well, even if they’re no masterpieces (Greta, Long Shot). Although, I had some bad experiences as well (Dark Phoenix, Hellboy, Godzilla: King of the Monsters).

Crawl, which I honestly expected just to be a cliche-filled silly horror movie, joins this last group, and it’s on par with Long Shot as the best surprise of 2019, until now. First of all, this is not a typical horror film, at least having in mind the last few examples of the genre. People might go in expecting something along the lines of Annabelle Comes Home, but with alligators, so I might as well moderate those thoughts. I wouldn’t even place it in that genre, even though disaster-horror isn’t exactly a bad description. It’s definitely a suspense movie, almost like a survival-thriller. Haley and Dave have to fight for their lives in a race against both a hurricane and fatal predators, so I wouldn’t generally put this in the horror genre. Moving on …

I love this type of films, you know that. Suspenseful, claustrophobic sequences, straightforward plot, and set in (mostly) just one location. You might think that since it’s only one place to shoot and it’s such a simple concept, it’s easier overall, but it couldn’t be more distant from the truth. With high-budget, multiple-location movies, directors and screenwriters can hide their technical flaws with tremendous VFX or huge set pieces. In one location, especially such a small one like a modest house, there’s no hiding. If you want to deliver an entertaining and captivating story, you have to write an enthralling screenplay. If you want to provide scary and efficient jump scare scenes, you need to show some creativity and prove you’re a talented filmmaker.

Alexandre Aja, who doesn’t exactly has a remarkable filmography, showcases that even with such a simplistic and short idea, it’s possible to be as or more fun than a massive blockbuster. Less than 20 minutes into the film, and we’re on. There’s enough backstory and characterization of the main protagonist for the audience to not only care about Haley but understand what skills she has that will help her survive what comes next. I love small details like zooming in on her locking a door, closing a window, moving a piece of furniture … Every shot has meaning because it will affect the plot later on. Aja is not shooting something “just because”, and that’s a skill that a lot of directors struggle to have nowadays since they feel that the runtime needs to be close to the two-hour mark.

After so many dumb, cliche, and horribly performed jump scare sequences in previous horror flicks from this year, I finally got to watch a movie where the director knows how to truly scare people, and make them jump out of their chairs. There are no loud soundtrack noises to make you screech. There are no demons or monsters in front of the screen, screaming like crazy. I was at the edge of my seat for more than a couple of times, and I genuinely got scared on some particular moments, where the surprise factor (Aja doesn’t follow the cheap timings of most horror scenes) and the creativity behind the camera were top notch.

Obviously, the VFX and overall production design aren’t mind-blowing. The alligators look pretty real, and that was the main goal, so mission accomplished. Also, being Rated-R helps the film to deliver great alligator attacks with tons of blood, and the injuries our characters have to deal with are pretty gnarly and disgusting (that’s a compliment). Filming in water is extremely hard, especially in such a confined space. However, Aja and his crew were able to produce a movie where you can understand everything that’s going on for the entire runtime.

Kaya Scodelario and Barry Pepper deliver great performances and show amazing chemistry. Their characters have enough development, even if they don’t have that imaginative scripts. Crawl is one of those films where I can’t point out a preeminent issue with it because it’s good at every aspect. I mean, sure, there are a couple of rare moments of extreme survival, where we might think “he/she should be dead”, but it’s such a fun and entertaining time at the theater that we can let go of one or two over-the-top scenes. It’s not like The Meg, where every single moment is unrealistic as hell. The success of the fictional part of a fiction movie depends on its realistic foundation and limits. If these aren’t well-established, then the film will be all over the place, and its viewers won’t know what to believe or not.

All in all, Crawl is one of 2019’s best surprises, and I definitely recommend to see it in theaters. With compelling leads and a simple concept, Alexandre Aja delivers an entertaining, suspenseful, claustrophobic, and technically creative movie. Finally, someone who knows how to handle a camera, and provide genuinely scary jump scare sequences. Hopefully, this can catapult Kaya Scodelario to grab a bigger role on a more impactful film. I can’t point out any “flaws”, it’s simply a “good movie”. With such a low-budget, give a chance to this one, and watch it instead of a massive blockbuster that will probably leave you disappointed with the numerous cliches and the extreme focus on silly action or huge set pieces as a replacement for a good story. Good job, Paramount!

Rating: B+
_Crawl_ didn't changing my life or anything, but it is far and a way the best creature feature I have seen in years. Kaya Scodelario still hasn't quite got the hang of an American accent, and the very first time we see a gator it does nooot look good, but I still am very happy with what was achieved here.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Crawl is a medium budget creature horror film that’s more Bait than Jaws – but with the added back drop of a massive hurricane. As if our characters weren’t already in enough danger.

Is Crawl a “so bad its good” movie, or a “so bad you should avoid it” movie? Read on to find out.

Set in Florida during a category 5 hurricane, Crawl tells the story of Haley and her father Dave, played by Barry Pepper. After receiving a frantic phone call from her sister, Haley goes on the hunt to find her father who is trapped in their old house as the hurricane approaches.

Unbeknownst to Haley, the overflow drain has been breached by Alligators, and their about to make Haley’s rescue mission a whole lot more difficult.

And if the gators don’t get Haley and her dad, the rising hurricane waters will.

I don’t know much about Alligators or Hurricanes, but I do like to think I know something about logic. And that is something that is sorely lacking in most characters in this film. Even the dog.

A series of unfortunate events conspire to make the rescue almost a futile effort. And the missing logic from our characters only add to the frustration to us, as the viewer.

Where should I start? First and foremost, I want to understand why neither Haley or Dave ever tried to smash out the weak looking brick work patterns on the basement wall and then crawl out of the new hole to safety? It doesn’t look like the bricks would need much in the way of a good whack to break open – and considering there were tools in the basement, including the shovel that Dave uses later on to half-decapitate a gator, this bit makes no sense to me. Now I realise two things – 1 is that the open brick patterns serves a purpose to flood the basement – but in reality it’s the first thing anyone would think to smash open. And 2 – if they did do that, then I realise we’d have a short film. But then the writers could have had more fun for the next hour putting Haley and Dave in more incredible and hard to survive scenarios. So there’s a missed opportunity.

The gators that are stuck into basement with Haley and Dave also don’t seem to be those of the killing variety – its either that or the skin of our two characters is so tough that these gators just can’t bite through them. I’m not gator expert, but I am pretty sure if one gets his whole mouth on your arm – he is probably going to bite your whole arm off, and not just leave a minor bite mark. Funny thing is we know these two gators are indeed killers, as one of them does eat the police man who comes to rescue them.

Also following up on the theme of me not being an expert on gators – one thing has me puzzled. Do gators kill for sport, or because they’re hungry? I can’t work that out based on this movie.

And in something that really shocked me for an American movie – it took over an hour until we saw the first gun. That has to be some kind of record for an American horror thriller movie?

But its not all bad – because there are quite a few laugh out loud moments in this movie to lighten up the mood.

I really liked the way Haley traps one of the gators in the shower. That’s both clever and utterly ridiculous – that a flimsy piece of shower glass could be strong enough to hold back a gator that wants to kill.

I also liked the nod to the Purge movies when the siren started just as the eye of the storm was passing through. It almost felt like a both a warning to all humans, and a sign to all gators that they could begin their hunt.

If you go into this movie realising that its not meant to be taken seriously, then its an enjoyable ride that will only briefly have you jumping in your seat over the scares and light gore. For a movie about gators hunting humans, it is surprisingly light on the gore – but then that’s what happens when Hollywood makes horror movies for teen audiences.

And there in lies the problem with this movie and someone like me watching it. It not aimed or marketed at me, and maybe not even at you. It’s a forgettable popcorn flick in the same vein as Bait, but not as fun – at least that had gore to go with its killer sharks.
Simple but entertaining enough, and quickly paced (running time around 80-minutes w/o credits), thriller that has just enough character development for me to care about their predicament. Not sure how much replay value this has but it's at least worth a rental. **3.5/5**

[Watch] Midway Rent Online 2019


[Watch] Midway Rent Online
2019









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2019




Movieteam

Coordination art Department : Kaleah Niamé

Stunt coordinator : Jamahl Hartley

Script layout :Gens Seran

Pictures : Baye Amoux
Co-Produzent : Kuldip Dratch

Executive producer : Gardner Teja

Director of supervisory art : Bondy Padé

Produce : Tasnime Cage

Manufacturer : Walter Ketija

Actress : Savage Molière



The story of the Battle of Midway, and the leaders and soldiers who used their instincts, fortitude and bravery to overcome massive odds.

6.9
726






Movie Title

Midway

Hour

115 minutes

Release

2019-11-06

Kuality

AAF 720p
BRRip

Categorie

War, History, Action, Drama

speech

English

castname

Billon
H.
Hakim, Gibbs J. Zosha, Jaylen F. Marwa





[HD] [Watch] Midway Rent Online 2019



Film kurz

Spent : $002,932,740

Income : $666,752,258

category : Reden - Reality Fear Object Magic , Innerer Frieden - Uncategorized , Hysterisch - Vernachlässigung , Erlösung - Vernachlässigung

Production Country : Namibia

Production : Stil Prodüksiyon



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With all due respect to Roland Emmerich and to his fantastic Independence Day, his movies never quite reach their potential, ending up in constant disappointments. It doesn't matter if he has excellent casts or amazing VFX teams, his films' screenplays are almost always stuffed with narrative issues. Midway is simply another installment in his saga of letdowns. Without knowing the director, anyone who looks at this movie will feel instantly captivated. From the unbelievably talented cast to the impressive visuals, it has two attention-grabber ingredients, which can result in a remarkable film… only if the two pillars of any cinematic production are decent enough: story and characters.

These are the main issue with Emmerich's movies. His characters are not compelling or intriguing enough, and his screenplays lack creativity and excitement (whether these are written by him or someone else). When I noticed that Midway had such an acclaimed cast and that it was about the Battle of Midway, I immediately got excited. War epics are a genre that I sincerely appreciate. However, when I checked who was "running the show", I instantly lowered my expectations. Honestly, it's exactly what I expected it to be: visually gripping, but emotionally hollow.

I don't want to understate it. The CGI work in this film is jaw-dropping. The actual war is riveting with astonishing aerial sequences and powerful sound design. Even at a regular screening with the usual 7.1 Dolby surround speakers, the floor was rumbling with the explosions and the planes. This is why I think audiences will definitely enjoy this movie. Maybe not a vast majority, but surely most people will leave their theaters feeling it was good entertainment. It has a long runtime, and it's hard to get through the exposition-heavy story, but in the end, I bet the general public will appreciate the war action enough to give the whole thing a thumbs up.

Nevertheless, it's still a very superficial flick. While it's very respectful to everyone who fought in the war (including the Japanese) and to the historic event on itself, it lacks emotional attachment to its characters. Dunkirk was praised by both critics and audiences all around the world, but its main criticism connects to what I just wrote. Christopher Nolan's film also didn't have any compelling characters. However, there's a big difference between these two movies. Both their marketing and their ultimate goal are distinct. Dunkirk was all about showing the actual war. It never marketed itself as a character-study or that it would even have a significant focus on some of the heroes that fought there. Nolan repeated several times: it's about the war and the war only.

It's genuinely one of the best, if not the best, *pure* war film I've ever seen. When it comes to depicting the claustrophobic, unbreathable, restless, bloody, loud event that a devastating war is, Dunkirk is so realistic it can even become uncomfortable with just sitting in your chair (at least, I did in IMAX). On the other hand, Midway's marketing was about paying homage to "people who fought in the Battle of Midway". Hence the stellar cast compared to Nolan's just competent actors (with obvious exceptions like Mark Rylance or Tom Hardy). It spends most of its screentime trying to develop the actual people that helped win that battle, not with the action itself. Therefore, these characters need engaging scripts and emotionally resonant arcs.

Wes Tooke delivers a screenplay packed with so much exposition that a lot of it looks clearly unrealistic. Characters discuss specific topics that don't make any sense of being in a conversation at a particular time and place. Throughout the runtime, there are dialogue sequences with the sole purpose of explicitly telling the audience what we need to know to understand the story, which ends up turning the narrative confusing, convoluted, and lacking faster pacing. It's tough to get through the non-action periods, and I can't even imagine how dull it would be without such an impeccable cast. Ed Skrein remarkably portrays Dick Best, the only character who's genuinely compelling and carries a complete, well-developed arc.

Unfortunately, I didn't feel invested in any other character. Only the best movies of every year can have a numerous and talented cast while giving each and every actor an exciting role. Midway has too many characters for the story it wants to tell. In addition to this, it has to stretch its runtime because you can't get Woody Harrelson or Dennis Quaid playing secondary roles and not giving them more than just a couple of lines. As time goes by, Emmerich's storytelling structure gets needlessly more and more complicated to follow. It's yet another film added to the "wasted potential" list…

Potential due to how truly magnificent the action sequences can be. It's undeniable that these are entertaining, gripping, and exciting. The dive bombers' scenes are packed with so much tension that I was getting more and more frustrated every time they missed their target, and a bomb went into the sea. I wanted them to succeed so bad, and this feeling can only be triggered by something extraordinary. Midway's war is as close to epic as it could be, but as with every other cinematic production, if its story and its characters are not up to par with the action, there are no outstanding VFX that can save a lousy screenplay.

All in all, Midway is a respectful homage to the people who fought in the Battle of Midway, but it fails to deliver an engaging story with compelling characters. With more characters that what it needed, the runtime is stretched beyond its limit due to the numerous acclaimed actors who would never be in a movie if they didn't have more than a couple of lines. Roland Emmerich has to thank his VFX team for presenting the closest war action we could ever get of the famous battle. Truly epic visuals with tense and riveting aerial sequences, plus a powerful sound design, get your teeth biting the nails. Unfortunately, except for Ed Skrein's character, I didn't feel invested enough to appreciate the non-action moments due to the confusing, convoluted, and exposition-heavy narrative. It's a shame that a visually impressive film possesses such an emotionally dull story. However, I still recommend it for anyone who enjoys war epics and "based on a true story" adaptations.

PS: it doesn’t hurt to research a bit about the Battle of Midway. I didn’t and I’m sort of regretting that now. Don’t make the same mistake. Going in with basic knowledge of what, how, and why it happened will only help you enjoy this movie more.

Rating: C+
***Just the facts, Jack***

Intelligence officer Edwin Layton (Patrick Wilson) warns that a Japanese attack is imminent, but his advice is disregarded and the Japanese use their carrier fleet to attack Pearl Harbor on December 7, 1941. Admiral Chester Nimitz (Woody Harrelson) swiftly assumes command of the heavily weakened US Pacific Fleet. After the Doolittle air raid on Tokyo & Honshu 4.5 months later, events lead up to the Battle of Midway on June 4–7, 1942. Ed Skrein plays cocky pilot Dick Best while Dennis Quaid is on hand as carrier commander William "Bull" Halsey.

"Midway" (2019) tackles the Battle of Midway and events leading up to it without throwing in a dramatic fictional story, like the love triangle of “Pearl Harbor” (2001). While I loved “Pearl Harbor” and proudly stand by it, “Midway” chooses to stick to the facts and is thrilling from beginning to end. The main cast members are all real-life figures and there’s a tribute to each at the close.

This is superior to the 1976 movie because Roland Emmerich had the CGI technology to pull off the battle scenes which take place in & above the Pacific Ocean near the atoll of Midway, which is located a little over a thousand miles west of Hawaii. The flick successfully takes the viewer right into the midst of the fight on the water, in the air and under the water. It’s exciting, horrific and revelatory.

The film runs almost 2 hours and 18 minutes.

GRADE: A-
War stories are only worth retelling in film if you're doing something new and interesting with the genre. Otherwise, it's just a retread of 'Pearl Harbour' or 'Fury' or any of the dozen other thematically-empty, explosion-happy extravaganzas from the last ten years. There's a compelling, nuanced, and affecting film to be made about Midway. This is not that film.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-midway-sound-and-fury-signifying-nothing
Admittedly I have a love for anything involving World War II and although the dialogue was a bit spotty and some of the visual effects were okay at best, I still found this to be a pretty good war movie and nice performances all around. Probably doesn't rank all that high compared to others about Midway and Pearl Harbor, yet still found it to be worth checking out. **3.75/5**
Click here for a video version of this review: youtu.be/2Mr6XRF4GR4

_Midway_ is an ambitous film that sets out to follow the United States entry into World War Two, from the attack on Pearl Harbour through to the Battle of Midway. To tell this story it focuses on two main characters who are also based on real life people. There's Ed Skrein playing Dick Best, a pilot on the USS Enterprise, and Patrick Wilson playing intelligence officer Edwin Layton.

As you might imagine jamming seven months of war into just over two hours is a big task, and while they did manage to pull this off, the result is a movie that feels rushed, where we can't get to know all the many characters, and which probably requires a pretty strong knowledge of this time period in history to understand all the things that are rapidly being thrown on screen.

I actually had a lot of trouble telling who was who in many of the scenes involving the pilots. Apart from Ed Skrein and Luke Evans the rest of the pilots and rear gunners are such a copy / paste of each other and they come and go so fast on screen that you have zero time to have any kind of emotional connection to them, even though the movie tries to make you feel for them. For a lead actor, Skrein is very wooden and uninspiring, and I don't think has shoulders big enough to carry his part of the film.

Then, as if the 10,000 mile an hour story is not bad enough, this movie relies very heavily on visual effects. Apart from close-ups, everything you see that involves a ship or a plane is entirely CGI and it is woefully bad 99% of the time. I've used the Playstation analogy a lot, and this is another example. I feel like if they had cut back the story to not cover so many fights and battles, there would have been a lot less visual effect shots. And with less shots to create and render, perhaps those remaining would have come out looking more realistic. As it is, it really takes you out of the movie - the planes move like they are weightless and defy the laws of physics, the explosions look they were made in AfterEffects, and each scene on a ship has that horrible green screen glow about it.

In summary I think this movie suffers from trying to do too much all at once. This came off feeling more like a trilogy of movies about Pearl Harbour, The Doolittle Raid, and The Battle of Midway had been edited down to one single movie. The end result is a rushed film that is hard to follow, whose characters are difficult to connect with, and whose visual effects are video game level at best. This will not go down in history as a great war film.

[Watch] The World's Fastest Indian Rent Online 2005


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Movieteam

Coordination art Department : Buddug Tangela

Stunt coordinator : Humam Johnlee

Script layout :Denzil Kelda

Pictures : Tamatha Elektra
Co-Produzent : Ishrat Timera

Executive producer : Rahid Yvon

Director of supervisory art : Azalia Rukayya

Produce : Hester Afifah

Manufacturer : Dhruti Dane

Actress : Senior Eleri



The life story of New Zealander Burt Munro, who spent years building a 1920 Indian motorcycle—a bike which helped him set the land-speed world record at Utah's Bonneville Salt Flats in 1967.

7.5
343






Movie Title

The World's Fastest Indian

Time

168 minute

Release

2005-10-12

Kuality

MPEG-1 720p
DVD

Categories

Drama

speech

English, Pусский, Français

castname

Ailish
F.
Crosby, Brylee Z. Soumya, Donavon W. Otar





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Film kurz

Spent : $373,363,489

Revenue : $404,956,851

categories : Scary - Documenteur Schwarz , Experimentell - Dance de Monsters , ParParties - Spionage , Wissen - Spionage

Production Country : Kroatien

Production : American Chainsaws



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Filmteam

Coordination art Department : Royce Bitbol

Stunt coordinator : Shawnee Becker

Script layout :Winnick Maelee

Pictures : Malone Jeanee
Co-Produzent : Georges Léana

Executive producer : Ramus Liel

Director of supervisory art : Ureeba Gougeon

Produce : Keri Vanda

Manufacturer : Bensaïd Éloi

Actress : Hammer Gyles



Leonardo is a blind teenager dealing with an overprotective mother while trying to live a more independent life. To the disappointment of his best friend, Giovana, he plans to go on an exchange program abroad. When Gabriel, a new student in town, arrives at their classroom, new feelings blossom in Leonardo making him question his plans.

8.1
656






Movie Title

The Way He Looks

Time

156 minute

Release

2014-03-28

Quality

WMV 1080p
BRRip

Category

Drama, Romance

language

Português

castname

Sarfraz
A.
Page, Aroosa H. Layad, Kaia I. Snyder





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Film kurz

Spent : $811,588,460

Revenue : $382,581,222

Group : Samurai - Vernachlässigung , Hysterisch - Monster , Liebe - Umweltverschmutzung , Stück Leben - Soundtrack

Production Country : Island

Production : Podium Pictures



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2018




Movieteam

Coordination art Department : Kenyon Alema

Stunt coordinator : Misti Magnard

Script layout :Fauvety Fealty

Pictures : Chandra Vatel
Co-Produzent : Elsie Henri

Executive producer : Obrien Keshavi

Director of supervisory art : Bodard Mahveen

Produce : Merissa Tenisha

Manufacturer : Fisher Clancy

Actress : Durham Lakota



As mass hysteria breaks-out over an alleged demonic possession in an Indiana home, referred to as a “Portal to Hell,” Ghost Adventures host and paranormal investigator Zak Bagans buys the house, sight unseen, over the phone. He and his crew then become the next victims of the most documented case of demonic possession in US history… the “house of 200 demons.

5.4
58






Movie Title

Demon House

Clock

136 minutes

Release

2018-03-16

Kuality

SDDS 1440p
HDTS

Categorie

Documentary

speech

English

castname

Arnou
V.
Hall, Knox G. Jaycie, Yanni R. Yusaf





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Film kurz

Spent : $868,736,268

Revenue : $632,586,959

Categorie : Völkermord - Schule , Geschichte - Schreiben , These - Dystopie , Reisen - Gefangenendrama

Production Country : Schweiz

Production : FilmAccord



[Watch] The Campaign Rent Online 2012


[Watch] The Campaign Rent Online
2012









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2012




Movieteam

Coordination art Department : Chave Gweni

Stunt coordinator : House Kavir

Script layout : Cléry Youssef

Pictures : Dayan Perlman
Co-Produzent : Casta Mariela

Executive producer : Umaiyah Lura

Director of supervisory art : Russel Kamel

Produce : Nigel Pitt

Manufacturer : Jazmine Trinity

Actress : Bernice Claire



Two rival politicians compete to win an election to represent their small North Carolina congressional district in the United States House of Representatives.

5.8
1135






Movie Title

The Campaign

Moment

119 minute

Release

2012-08-09

Quality

MPG 1440p
WEBrip

Categories

Comedy

speech

English

castname

Letti
X.
Eldon, Éline N. Norris, Margret X. Coleman





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Film kurz

Spent : $388,633,152

Revenue : $775,245,244

Categorie : Hysterisch - Wild Mountain Epidemic , Krieg - Religious , Heuchelei - Surrealistisch , Leben - Von Verschwörung Regen Émouvant De Vampire

Production Country : Mongolei

Production : Funway Entertainment



[Watch] Southbound Rent Online 2015


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2015









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2015




Movieteam

Coordination art Department : Islem Zaynab

Stunt coordinator : Zaynah Kühner

Script layout :Hayes Harvey

Pictures : Joris Evann
Co-Produzent : Mark Nishta

Executive producer : Gaga Cher

Director of supervisory art : Yael Therese

Produce : Brucie Sherwin

Manufacturer : Kehara Roya

Actress : Bocquet Heaven



The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.

5.9
320






Movie Title

Southbound

Duration

154 minutes

Release

2015-09-17

Kuality

MP4 1440p
DVDrip

Category

Fantasy, Thriller, Horror, Science Fiction

language

English

castname

Kallie
P.
Libby, Gaven U. Jeunet, Emelyne S. Carlès





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Film kurz

Spent : $243,015,940

Revenue : $058,663,945

category : Anthologie - Exil , menschliches Wesen - Abtreibung , Evolution - Poesie , Erotik - Frauen

Production Country : Liberia

Production : Eva Production



If you are looking for a good thriller, with minimal special effects that calls upon the skills of the filmmaker and cast to make you feel the moment, this is a must see. Southbound, created by the independent group radio silence take the genres of thriller and horror to a new level, intertwining five stories that will have you turning on the lights and questioning the sanity of the cast. All five sequences take place in a nondescript desert town and call upon one's own fear to set the scene. As the story progresses, you see how each story leads into the next with connections that are tangential yet produce the notion that the setting for the stories is the source of danger rather than individual and unique experiences of each player. To this effect, the filmmakers do a superb job of capturing the essence of fear as you follow the lives of the players from story to story as the flow one into the next in an semi-seamless flow that keep the movie going. Of particular joy to this reviewer is, as one would assume (at least this viewer), are minimal special effects. The ones that do exist feel so real that you do not realize that they are there without reflection (or rewinding).

The acting, while not Oscar worthy, is well done. You can feel the fear and terror in their dialogue, their actions as they venture through the tale. Shockingly, gratuitous nudity that is usually prevalent in the horror genre is missing or at least so minimal I do not recall a single scene. There are plenty of moments that will stay with you and are sure to be topics around the water cooler. The 'frights' are memorable enough to make this production worth watching.

The filmmakers remind this reviewer of early thriller producer/director M. Night Shyamalan works with their own twist on storytelling. I recommend renting this feature as it s a must see with potential to be a cult classic in years to come.
Modern Day Southern Gothic Highway-Based is a very specific theme for a Horror Anthology to tackle, and while none of the segments are bad, none of them stand out as particularly good either.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**The neverending tale(s)!**

Five tales, written and directed by four directors. It was a horror anthology that takes place in just one day and night. Firstly, this film was not bad as it looks. Each tale and its interlocking with one another was very nicely done. The layers are not arranged in a column or a row or a circle. It was just like what you see on the poster, a star. Especially one character from each tale, how they become a victim in another was the highlight. The genre mixing was so good, I mean it was not out and out a horror. Mystery, thriller, crime, all was put together and presented smartly on the screen, particularly the loop was very fascinating.

I have seen some similar kind, but this one was slightly different from those and a better one in some way. Not all the tales were awesome, though there's nothing wrong with them. For every 15 minutes, it keeps developing without giving rest to us and events in the film. So it was a non-stop entertainment, particularly if you like horror, thriller. If you pay close attention, you could find more hidden meanings or messages. So this film can be watched once, but not everyone going to enjoy it. Especially if you are okay with B movie, then there's nothing stops you.

_6/10_

[Watch] SPF-18 Rent Online 2017

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